netwaves 16.3d man listening Stock Illustrations by nasir1164 60 / 2,482 Listening emoticon Stock Illustration by yayayoyo 21 / 5,415 3d man - time to listen Stock Illustration by nasir1164 38 / 1,322 Listening Girl Clip Art by lenm 12 / 2,507 speech & talk man & woman say listen & think Drawings by michaeldb 21 / 3,966 Speak and listen Stock Illustration by Arcady 18 / 1,885 Woman Listening To Music Drawings by Kakigori 8 / 1,317 Listen to Me Sign Person Tries to Get Attention in Crowd Drawing by iqoncept 57 / 1,305 time to listen Drawing by kikkerdirk 19 / 361 Listening Girl Stock Illustrations by lenm 4 / 1,694 Retro Or Vintage Guy Listening Stock Illustrations by anortnik 23 / 3,615 3d man annoucement Stock Illustration by nasir1164 46 / 1,129 Listening Stock Illustrations by saracorso 4 / 138 Time to Listen Words on Clock - Hear and Understand Stock Illustration by iqoncept 34 / 741 Friends Stock Illustration by coraMax 47 / 2,285 Listening To Music Stock Illustration by mikailain 5 / 1,584 Audiometry Stock Illustration by Andreus 53 / 719 Phone, communication Stock Illustrations by abluecup 25 / 551 3d man listening to megaphone news announcement Stock Illustration by ribah2012 6 / 605 Happy Music Headphones Musical Note Clip Art by michaeldb 44 / 9,994 Communication Stock Illustration by coraMax 35 / 1,834 Listen Vs. Re: Over Can by PIRATE Tapes / Junk Music for Can LoversĮarS107 : KRIS T REEDER "NOISE JAZZ D 7823" Over Can by PIRATE Tapes / Junk Music for Can Lovers
Thee Mystery Unveiled by Invisible Illusion / Esoteric Music.Īpparitions by Studio 112 / Shelter Music for Skinned AliveĪlter Sonic records netlabel collection_a question pleaseĭesired Reality by Twin Realities Dreamers / Healing Music for Reality Shifters netwaves 16.13: another brick in the hallĭarkness Is Knocking At My Door by Ouranoise And Ed End / Witch Rock ? In seeking to forge new sounds, we must necessarily revisit many musical genres and aggressively explore the influence of technology and new formats upon creativity. Central to the purpose of this entity is to provide support to those artists that seek to expand their sonic palette beyond a singular niche of this auditory life. To expose the simultaneity of influences in all organized sound.Īrtists that might consider joining the collective may engage in multiple musical styles or in fact they may not even make music at all. Our task is to lay bare the distinctions between media and between genres. Whatever such labels that may be applied to a collection of a musician's endeavor, are just that: labels. We are not 'experimental' or 'electroacoustic' or 'out' or 'IDM' or 'glitch' or 'psych'. We do not expect our musical preferences to stay the same or ever be restricted to a few genres, nor should you. The task of slapart is not to define a particular niche, from which it would become inseperable. There should be no barrier to the totality of perception. We may only listen but our whole body reacts at the same time. By exploring new media or exploiting unique aspects of old media, artists break down the barrier between expression and perception which styles, genres, and criticism tend to erect.ĭoes a painting only affect my eyes? Does music only influence my ears? Does a rollercoaster only move my stomach? Media exists in many forms and demands to be reckoned with wholistically. Contrary to some thought on the subject, Slapart believes that listeners, and art/music connoisseurs in general, do not benefit from such strict focus and encourages its artists/listeners to delve into as many new waters of expression as they can find.
It was said at the time that too often artists focus exclusively on one element of media and often only within a very narrow niche within that media. Slapart was founded in 2001 in Brooklyn, NY to document the activities of like-minded artists determined to explore the challenges of forging a multi-disciplinary aesthetic in the arts.
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